Come On, Let's Go.
27Jul/100

Write A Song, I’ll Sing Along

I discovered my current taste in music directly between high school and dropping out of college. The summer after graduating from high school, I started a music FTP with these three gentlemen, all of whom have also graciously contributed to this blog in times of need. I remember the exact three songs which knocked me clean into the 21st century; previously I'd listened to almost nothing but psychedelic rock and oi. They aren't the best tracks on the albums, but they were like nothing I'd ever heard before, and everything like what I want to listen to since that day:

Broadcast with “We've Got Time”

Belle and Sebastian with “Expectations”

Ladytron with “The Way That I Found You”

6Jul/101

Frosty!

The heat wave continues, with temperatures reaching a record 102F today. Here's some stuff to cool you down for the night:

20Jan/100

In The Sunshine

Neil Krug is an amazingly ethereal photographer and video artist who just happened to have worked with two of my favorite musicians: Boards of Canada and Ladytron (along with Devendra Banhart). All links below are probably NSFW.

Pulp Art Book (Flickr, YouTube commercial) is a collaboration between himself and supermodel Joni Harbeck. The photos have his trademark retro feel - late-70s or early-80s as they were taken on expired Polaroid film. Between the expiration-based dyeing of the film and the desert setting, there's a very weary feeling about all these. Photography is an artform I am probably least erudite in, so I can't really speak about composition, but I know what I enjoy, and I certainly enjoy these. Not in the least because one of my favorite visual art subjects is an armed woman.

Krug is responsible for an unofficial video for Boards of Canada's track off the eponymous single “In a Beautiful Place Out in the Country.” The video mixes abstract video in BoC's circa-Geogaddi kaleidoscope style with old home video. It is a beautiful tribute to the group.

Officially, Krug shot the video for Ladytron's “Tomorrow” single off their latest album Velocifero. This one is more in line with his photography: models, desert scenery, sepia tinting and lens flaring. My only issue is that the mixture of CGI and his expired film-look while interesting, is a bit clashing in my opinion. The two are integrated well, but not well enough and it breaks the illusion of the film quality.

   

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